Poems

 

Levitation For Agnostics

 

Do not attempt to meditate

do not under any circumstances

 

assume the lotus position

do not try to suspend disbelief

 

no matter that you no longer

disbelieve in suspension

 

disbelief is your friend

do not try to focus

 

all of your physical and mental

energy in the vicinity of

 

your third eye

any fool can tell you

 

you do not have

three eyes

 

or the God-given ability

to pick the winning ticket

 

everything that happens

happens

 

simple as that

do not therefore be surprised

 

should you find yourself

floating ever so slightly

 

in the grocery store

parking lot even with

 

an armful of arugula

weighing you down

 

you are not exceptional

you are not alone

 

this is all you need to know

until it isn’t

 

published in The Georgetown Review

 

 

 

Aftermath

 

                        for Takeshi Moro

 

The worst that can happen

has already happened

also the best

 

which we tend to forget

 

the spaces separating

the stones in the creek bed

are growing infinitesimally

 

larger and birdsong

 

intervals which ordinarily

we do not pay any

attention to have been

 

lengthening making even

 

the least finch a little

nervous a little

self conscious there is

 

something that seems to

 

call for an apology

at the beginning and the end

of the day although

 

to whom and for what

 

I would never try to say

as for me I am still in love

with all that I have lost

 

am still losing

 

I would sign up

to lose it all again

in an afterlife if only

 

the universe were not expanding

 

but contracting into something

more hilarious more reasonable

more sequential

 

time is not our enemy

 

as we previously might have

suspected we have millennia yet

left to consider just what

 

wants not to be said

 

published in Oberon

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Interrogation

 

What do you believe in?

Who said I believe in anything?

 

Who are your accomplices?

You. You are my accomplices.

 

What were you planning next?

I don’t make plans.

 

Who is giving you orders?

No one is able to give me orders.

 

Where did you learn to blow things up?

On television.

 

What programs do you watch?

I don’t watch television.

 

What do your parents think of what you have done?

They are not my parents.

 

Have you been in touch with any foreign groups?

Yes, I am in touch with all foreign groups.

 

What did you hope to accomplish?

I was hoping to wake up.

 

And did you? Did you wake up?

Now I am hoping to go back to sleep.

 

When you are sleeping are we safe?

No, but when you are sleeping I am safe.

 

What should we do next?

I don’t know. What do you believe in?

 

published in The Massachusetts Review

 

Arshile Gorky In Las Vegas

 

You painted Las Vegas before it ever existed.

I bet you never thought anyone would take

abstract expressionism so literally. Such

gaudy fantasies taken to impossible extremes

by no taste and money. It’s your kind of town.

Why else would your self-portrait end up in

The Guggenheim Gallery located just off the

reception lobby of the Venetian Hotel?

You don’t look happy it must be said. You

look like someone contemplating suicide.

But the colors are compelling in that

forthright manner of yours. The utterly

convincing unexpected choice. Like the canals

of Venice on the second mezzanine level

pyramids pirate ships New York Paris Donald Trump.

   

 

 

 

Recursion

 

 All the best unskipped smooth flat round stones

have already been skipped by the early morning

 

walkers or else peed on ecstatically

by their dogs, creating needless difficulty

 

in the search for perfect rocks to fling back

in the general direction of Chicago.

 

You can teach someone to skip stones as easily

as you can teach writing poetry,

 

both requiring an insatiable appetite

for failure. Like many other recondite

 

disciplines – Chinese calligraphy, stiff egg whites,

sexual pleasure – it’s all in the wrist.

 

For all its breadth and weight, the lake apparently

needs us to deliver its mineral children for further

 

pedagogy. All its rocks still have

something to learn about roundedness, about

 

eternity. Stones may never dance

and poems may never float, but every teacher knows

 

that year after year what may not be learned

must all the same be taught.

 

published in The Sow's Ear Review